Books with title Tales of the Mother Goddess

The Tales of Mother Goose (Children's Picture Books) (Illustrated) Excerpt : What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness.

A translation by Charles Welsh with an introduction by M.V. O'Shea professor of education at the University of Wisconsin."The initiator of the literary fairy tale genre, Charles Perrault, published in 1695 under the name of his son a collection of fairy tales Histoires ou contes du temps passés, avec des moralités, which became better known under its subtitle of Contes de ma mère l'Oye or Tales of My Mother Goose. Perrault's publication marks the first authenticated starting-point for Mother Goose stories."CONTENTS:Cinderella, or the Little Glass SlipperThe Sleeping Beauty in the WoodLittle ThumbThe Master Cat, or Puss in BootsRiquet of the TuftBlue BeardThe FairyLittle Red Riding-hood

What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness. Again, to mature people the reward of well-doing and the punishment of evil conduct portrayed in these stories are apt to seem too realistic, too much also on the cut-and-dried pattern; but it is far different with children. They have a very concrete sense of right and wrong, and they demand a clear, explicit, tangible outcome for every sort of action. They must have concrete, living examples, with the appropriate outcome of each, set before them.A modest, faithful child will be strengthened in his good qualities; while one lacking these will have them aroused, to some extent at any rate, by following Cinderella in her career. Arrogance and selfishness come to unhappy straits in this fancy world, and they are likely to fare the same in the real world; so it would be better to part company with them, and take up with gentleness and kindliness and faithfulness instead. And every one may be of some help to others if he be only of the right mind. The brother who thought himself faring badly with only a cat for a legacy learns betimes that even so small and apparently helpless a creature may be of much service when he is rightly disposed. A person might think little Thumb could accomplish nothing of value to any one, but he again teaches the child that all depends on the willingness to be of assistance, the good-heartedness, the fellow-feeling which one has for others.In making this version anew the translator has endeavored to retain the characteristics of the style of the early chap-book versions, while evading the pompous, stilted language and Johnsonian phraseology so fashionable when they were first translated.

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Charles Perrault (1628-1703) was a French author who laid foundations for a new literary genre, the fairy tale. He attended the best schools and studied law before embarking on a career in government service. He took part in the creation of the Academy of Sciences as well as the restoration of the Academy of Painting. When the Academy of Inscriptions and Belles-Lettres was founded in 1663, Perrault was appointed its secretary by its founder Jean Baptiste Colbert, finance minister to King Louis XIV. In 1695, when he was 67, he lost his post as secretary. He decided to dedicate himself to his children and published Histoires ou Contes du Temps Passé (Tales and Stories of the Past With Morals) (1697), with the subtitle: Les Contes de Ma Mère l'Oie (Tales of Mother Goose). Its publication made him suddenly widelyknown beyond his own circles and marked the beginnings of a new literary genre, the fairy tale. He is best known for: Le Petit Chaperon Rouge (Little Red Riding Hood), La Belle au Bois Dormant (Sleeping Beauty) and Le Maître Chat ou le Chat Botté (Puss in Boots).

The Man Charles Perrault (1628-1703) was a member of the Académie Française and a leading intellectual of his time. Ironically, his dialogue Parallèles des anciens et des modernes (Parallels between the Ancients and the Moderns), 1688-1697, which compared the authors of antiquity unfavorably to modern writers, served as a forerunner for the Age of Enlightenment in Europe, an era that was not always receptive to tales of magic and fantasy. The Stories Perrault could have not predicted that his reputation for future generations would rest almost entirely on a slender book published in 1697 containing eight simple stories with the unassuming title: Stories or Tales from Times Past, with Morals, with the added title in the frontispiece, Tales of Mother Goose. The original title, in French, was Histoires ou contes du temps passé, avec des moralités: Contes de ma mère l'Oye. Charles Perrault, in a symbolically significant gesture, did not publish the book in question under his own name but rather under the name of his son Pierre. Perrault chose his stories well, and he recorded them with wit and style. His narratives belong to a story-telling tradition that has been shared by countless generations. He did not invent these tales -- even in his day their plots were well known -- but he gave them literary legitimacy.

This is a collection of the famous Mother Goose fairy tales that have been popular with kids for generations. From the intro: "What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness. Again, to mature people the reward of well-doing and the punishment of evil conduct portrayed in these stories are apt to seem too realistic, too much also on the cut-and-dried pattern; but it is far different with children. They have a very concrete sense of right and wrong, and they demand a clear, explicit, tangible outcome for every sort of action. They must have concrete, living examples, with the appropriate outcome of each, set before them. A modest, faithful child will be strengthened in his good qualities; while one lacking these will have them aroused, to some extent at any rate, by following Cinderella in her career. Arrogance and selfishness come to unhappy straits in this fancy world, and they are likely to fare the same in the real world; so it would be better to part company with them, and take up with gentleness and kindliness and faithfulness instead. And every one may be of some help to others if he be only of the right mind. The brother who thought himself faring badly with only a cat for a legacy learns betimes that even so small and apparently helpless a creature may be of much service when he is rightly disposed. A person might think little Thumb could accomplish nothing of value to any one, but he again teaches the child that all depends on the willingness to be of assistance, the good-heartedness, the fellow-feeling which one has for others. In making this version anew the translator has endeavored to retain the characteristics of the style of the early chap-book versions, while evading the pompous, stilted language and Johnsonian phraseology so fashionable when they were first translated."

Once upon a time there was a gentleman who married, for his second wife, the proudest and most haughty woman that ever was seen. She had two daughters of her own, who were, indeed, exactly like her in all things. The gentleman had also a young daughter, of rare goodness and sweetness of temper, which she took from her mother, who was the best creature in the world. The wedding was scarcely over, when the stepmother’s bad temper began to show itself. She could not bear the goodness of this young girl, because it made her own daughters appear the more odious. The stepmother gave her the meanest work in the house to do; she had to scour the dishes, tables, etc., and to scrub the floors and clean out the bedrooms. The poor girl had to sleep in the garret, upon a wretched straw bed, while her sisters lay in fine rooms with inlaid floors, upon beds of the very newest fashion, and where they had looking-glasses so large that they might see themselves at their full length. The poor girl bore all patiently, and dared not complain to her father, who would have scolded her if she had done so, for his wife governed him entirely. When she had done her work, she used to go into the chimney corner, and sit down among the cinders, hence she was called Cinderwench. The younger sister of the two, who was not so rude and uncivil as the elder, called her Cinderella. However, Cinderella, in spite of her mean apparel, was a hundred times more handsome than her sisters, though they were always richly dressed …

They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness. A gain, to mature people the reward of well-doing and the punishment of evil conduct portrayed in these stories are apt to seem too realistic, too much also on the cut-anddried pattern ;but it is far different with children. They have a very concrete sense of right and wrong, and they demand a clear, explicit, tangible outcome for every sort of action. They must have concrete, living examples, with the appropriate outcome of each, set before them. A modest, faithful child will be strengthened in his good qualities; while one lacking these will have them aroused, to some extent at any rate, by following Cinderella in her career.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at